23.10.25 – 25.1.26, Exhibition-/Eventcomplex

Members' exhibition

23.11.25, 15:00 - 16:30, Talk

Joint tour of the exhibition

12.12.25, 18:00, Event

Discussion about the KVL book archive and members bar

22.1.26, 18:00, Event

Cooking and talking about art spaces in the catastrophe

24.1.26, 19:00, Event

Psychoanalysis of Money by Deepfake Situations

Money releases different emotions and affects. Money is an object of fixation and projection, an everyday neurosis and a means of fulfilling desires. It determines our social interaction down to the last detail.

In the process of analysis, the participants delve into the deep structures of the money complex. Together as a group, we examine money as a repression of our social dependencies and confront ourselves with the unconscious of money. In speculative exercises, we ask about the origin of money and search for new forms of coming together. Money becomes a means of therapy.

For the analysis, money is provided.

Duration: 75 min Concept & performance: Felix Falczyk and Johanna Herschel

Participation is free of charge. As the number of participants is limited, please register at mail@kunstverein-langenhagen.de

The performance is a contribution to the first member exhibition at the Kunstverein Langenhagen.

14.3.26 – 26.4.26, 17:00, Group Exhibition

Wände bauen (Build Walls)

On 14 March at 5 p.m., the exhibition Building Walls will open, featuring pictures and objects by Klaus Merkel, Nicolas Rausch, Christian Rothmaler, Stella Sieber, Peter Wächtler and Mara Wohnhaas. Many of the participating artists will be there.

15.3.26, 11:00, Talk

Art Criticism Forum #1

Our guest on the first Forum Kunstkritik is Hans-Jürgen Hafner, critic for Spike Magazine and Die Tageszeitung (Taz), among others. This time, the discussion will focus on the exhibitions 'The Volcano Manifesto' by Cauleen Smith at the Kestnergesellschaft, the group exhibition 'Leben und Sterben in der Ruine #4' at Ruine HQ Hannover, and 'Raoul Hausmann – Vision. Provokation. Dada.' at the Berlinische Galerie.

In Forum Kunstkritik, we talk to a guest – usually a professional critic – about exhibitions.

Admittedly, the genre of exhibition criticism has a difficult standing, and it is not entirely innocent in this regard. Too often, their texts get lost in the pretentious jargon of press releases that are merely retold. And too rarely do they form their own opinions that could generate controversy, or even debate. But if we decouple exhibitions from the passion with which they can be argued about, all that remains of the viewer's happiness or unhappiness is a lonely sigh.

The Forum Kunstkritik is a place for debate! Three specific exhibitions are up for discussion per session. Two of them are current exhibitions from the region. In a playful form of live criticism, we delve through experience reports, accompanying texts and installation views. Always on the lookout for the better argument for what actually distinguishes good exhibitions from bad ones.

24.5.26 – 5.7.26, Solo Exhibition

Water lives here

6.6.26 – 12.7.26, Group Exhibition

Westdeutscher Pavillon

The Westdeutscher Pavillon opens on June 6 at 5 p.m. The group exhibition of the same name sets out to explore an aesthetic blend that could be called “West German.” It also explores the ambivalences that have become woven into this blend. West Germany serves here as a cipher for a cultural complex that defies a single definition yet continues to branch out into the present: pragmatic and bureaucratic, open and uptight, modern, cold, and blessed with the joy of freedom. At times elegant, sometimes self-righteous—and mostly complicated.

The exhibition brings together works by artists from different generations, including renowned figures from the West German art scene such as Reinhard Mucha, Sigmar Polke, and Katharina Sieverding, as well as Gerhard Richter, A.R. Penck, and Günther Uecker—all of whom were born in East Germany. These works are accompanied by new drawings by Alex Wissel and additional pieces by a young generation of Düsseldorf artists centered around Sophia Havanna Huth, Christoph Wiedemann, and Jonas Roßmeißl, who was recently honored with the Studio Award from the Hamburger Bahnhof. Artist Viola Yeşiltaç, who grew up in Langenhagen and lives in New York and Cologne, continues her longstanding connection with the Kunstverein through her contribution. A true discovery are the prints by the French conceptual artist François Joseph Chabrillat, who died far too young and whose work remains an insider’s tip. Arne Schmitt also presents parts of his classic work “Geräusch einer fernen Brandung” (“Sound of a Distant Surf”), photographed entirely in Hanover.

Steffen Zillig conceived the group exhibition in collaboration with his fellow artists Jonas Roßmeißl and Alex Wissel.

The opening will be preceded by a lecture on the epoch-making “Westkunst” exhibition (held in 1981 at the Cologne Trade Fair, curated by Kasper König and László Glózer) by Florian Waldvogel, a curator and former assistant to König, who is traveling from Innsbruck. He takes both an appreciative and critical look at the modernist ambitions and cultural-political claims to relevance of the “Westkunst” project.

4.7.26, 16:00, Talk

Art Criticism Forum #2

Kito Nedo, a critic for publications including the Süddeutsche Zeitung, Frieze, and the art magazine “art”, will be a guest at the Forum Kunstkritik on Saturday, July 4, at 4 p.m. The discussion will focus on the current German Pavilion at the Venice Biennale (“Ruin” by Henrike Naumann and Sung Tieu), the ongoing group exhibition “Under the Milky Way” at the Kunstverein Hannover, and the new collection presentation “Mein lieber Schwan” at the Sprengel Museum.

27.7.26 – 7.8.26, Event

Gedanken und Bauwerke

With its series Gedanken und Bauwerke, the Kunstverein is once again offering a summer vacation program for children and teens. This year’s theme: What a World

Here on Earth, in Europe, in Germany, in Lower Saxony, in Langenhagen, on Langenforther Platz, there is an art association with a small garden and two large chestnut trees. This year, once again, for twelve days during summer vacation, this place will become a space for experimentation, a studio, a workshop, and a place for coming together. We invite all children, teens, and adults ages 7 and up to come together to build, play, and invent.

What kind of world would we like to invent, build, create, and explore together? What’s already here? What’s missing? What could be? What could become? Where do we start? Sew a sunshade? Make a mask? Sing a song? The kind of world we’ll bring to life at the Kunstverein is still open to discovery.

At the summer festival on August 8, you can discover it and celebrate with music, soda, and bratwurst.

When?

July 27 through August 7, 2026, daily from 2:00 to 5:00 p.m.

And during the summer festival on Saturday, August 8, 2026, from 3 to 8 p.m.

Who can participate?

About 15 children and teens ages 7 and up can participate each day. Feel free to register in advance at mail@kunstverein-langenhagen.de. Or drop by spontaneously and ask if there’s still space available.

Thanks to the generous support of the VGH Foundation and the Hannover Region, participation in the summer vacation program is free for children.

8.8.26, Event

Summer Party

On Saturday, August 8, starting at 3:00 p.m., we will celebrate our traditional summer festival in the Kunstverein’s garden. The objects created by the children in our summer program Gedanken und Bauwerke will serve as the stage for the event. All members, friends, and interested guests are cordially invited to enjoy bratwurst, drinks, good conversation, and great music in the shade of the chestnut trees.

26.9.26 – 26.11.26, Group Exhibition

On the Beginning and End of Participation

In the winter of 1967, Chris Reinecke abandoned her approach to participatory exhibitions. The artist was disappointed by the audience and by herself. Yet she would not be the last to open her practice to the participation of others—and thereby generate new possibilities, forms, and complications. An exhibition featuring paintings, drawings, and photographs by artists from very different generations, whose social and participatory projects are reflected in the works. On the Beginning and End of Participation presents works by Fabian Bastanier, Maximiliane Baumgartner, Thomas Hirschhorn, Christine and Irene Hohenbüchler, Chris Reinecke, Christoph Schäfer, and Franz Erhard Walther. Curated by Steffen Zillig in collaboration with Hans-Jürgen Hafner.

The exhibition opens on Saturday, September 26, at 5 p.m. at the Kunstverein Langenhagen.

On November 22, a symposium will also take place at the Kunstverein, addressing current issues and contradictions in participatory art. Together with practitioners of this art form and its mediators, we seek answers to the question: Has the participatory approach run its course? Participants in the discussion will include Maximiliane Baumgartner, Helmut Draxler, Birte Heier, Michael Hirsch, Irene Hohenbüchler, Christoph Schäfer, Anja Steidinger, Sebastian Stein, and Nora Sternfeld. Due to limited seating, please register at mail@kunstverein-langenhagen.de.

27.9.26, 11:00, Talk

Forum Kunstkritik #3

Sophie Jung, art critic and editor at the Tageszeitung (taz), will be a guest at the Forum Kunstkritik on September 27, 2026. In the conference room of the Kunstverein Langenhagen, we’ll discuss “A Pronoun of B” by Min Yoon and “Crystalline” by Karimah Ashadu at the Kestnergesellschaft in Hanover, “Xenoform” by Nieves de la Fuente at the Kunstverein Göttingen, and “Projections on the East” at the Schinkel Pavillon in Berlin. The event begins at 11 a.m.

At the Forum Kunstkritik, we talk with a guest—usually a professional art critic—about exhibitions. Admittedly, the genre of exhibition criticism has a tough time, and it is not entirely blameless in this regard. Too often, their texts get lost in the pretentious jargon of press releases that are merely regurgitated. And too rarely do they form their own opinions that might spark disagreement—or even a debate. But if we separate exhibitions from the passion with which they can be debated, all that remains of the viewer’s joy or sorrow is a solitary sigh.

At the Forum Kunstkritik, debate is encouraged! Each session features three specific exhibitions up for discussion. Two of them are current exhibitions from the region. In a playful form of live criticism, we dig through visitor reviews, accompanying texts, and installation views—always on the hunt for the better argument for what actually distinguishes the good from the bad.